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"Lobsters!"

I raise you with shrimp and a fucking spider: https://youtu.be/wpAS3IHkzPc?t=105

"I'm still upset that Abrams made such a mess of those movies."

You and me both, sister. I think my favorite take so far is how this is a reflection of the misogyny inherent in Hollywood, where a multi-billion dollar property is given to a guy with an okay track record (at least, artistically) with no plan in place. Would they have given this to Patty Jenkins without a full write-up? To her credit, she probably would have demanded it. I'm interested to see her take on Rogue Squadron, though her teaser for the film is, well, kinda weird, being both jingoistic and kinda sorta asking permission from fans to let a girl make a movie with their toys: https://www.youtube.com/watch?v=5bLkTjn6Y_s

I'm also waiting for someone to write a book (STOP LOOKING AT ME IT MAKES ME UNCOMFORTABLE) detailing exactly what went wrong here, at least artistically. From the outside it seems like a massive organizational failure by the Disney Corporation, mixed with massive fan momentum that, despite artistic missteps, still dragged the films over the billion dollar box office mark, though steadily declining from over 2 billion for TFA to just over 1 billion 4 years later for TROS.

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I'm still impressed the extent to which Williems called it ahead of time based on Abrams' track record for endings

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